Cure Homesickness: Write a Novel

Two years ago I began writing a story.

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We had moved from our home on the central California coast to Virginia, and I was homesick for the mountains, the cool coastal air, the golden evening light–the familiar beauty of our former home. For several months, I used my writing to capture memories of California, fearful that I would forget the sensory details that photographs could not capture. I wrote essays, poems, short stories, and scribbled a lot in my journal.

The plan was to write something longer than a short story, but shorter than a novella.

I even decided to try my hand at a middle-grade story for my children. Our former home with it’s three acres of old farm land, trees made for climbing, a creek, and fog rolling in from the bay each evening was the perfect setting for adventure. It would be a gift for them and a creative exercise for me.  The plan was to write something longer than a short story, but shorter than a novella.

Soon I had a collection of scenes and character sketches, but no vision for a unified story. I put away the pages and turned my attention to other work.

A year and a half later, while reviewing files of unfinished writing projects, I took another look at the patchwork pieces I had written for my kids. I edited a lot. I wrote some more. It was fun, so I continued, one scene at a time, not really sure where I was going.

Then, one day (which is how so many stories start, after all) everything changed.

I was doing something mundane like stirring a pot of chili and I  realized how the entire story would develop. There were plenty of details to fill in, but I understood enough to sketch additional characters and chapter summaries.

This was no longer just a fun story for my kids. I had a new novel to write.

Sixteen chapters later, I’m on track to finish my first draft by the end of June. I have pages of adventure for my kids and a wealth of sensory memories for me. Soon, I’ll have a complete novel for all of us.

Below is an excerpt from the current draft.

It’s one of the original scenes that I wrote two years ago involving a rather strange minor character. In it, four of the five children with whom the story is chiefly concerned meet this unusual woman–who turns out to be their neighbor–early one evening when they are on an urgent mission.


Mrs. Terry had turned her back on them and now faced the field. In the distance, a grey roll of fog crept toward them from the sea.  Birds fluttered in and out of the tall grasses, filling the evening air with their cries. Tiny finches darted, keeping away from the larger birds. Over all, three red-tail hawks circled, climbing, then gliding and banking. Mrs. Terry kept her left hand on her stick while raising her face and her right palm to the skies. In a voice that seemed far too loud and strong for her slight body, she cried out,

Draw a peace over this teeming field–

Wildlife calling, crawling, rising, taking flight.

Blanket this space in quiet, still life

Waiting on breathless wing for summoning.

Later they would all say that they had probably imagined it, but it seemed at that moment as if the noisy field before them did calm, soothed by the funny words of this strange new neighbor.

Kerith felt her face heat as she tried to think of what to say. She felt the weighty expectation of good manners, certain that she must say something polite in response to what this odd little woman had just done. At the very least, she must take charge before one of the younger children broke free of their bewilderment and said what they were thinking. Fortunately for her, Mrs. Terry was happy to continue.

“Well,” she said. She turned her back on the field and faced the low mountains that rimmed the far, western side of their property. There the sun seemed to hesitate on the mountain tops, bathing their house and the land below it in the last lingering rays of soft light.

“The whole world is a great cathedral, far more magnificent than anything man has ever created, don’t you think?” She sighed.  “It’s a wonder anyone bothers.”

She tapped her stick against the asphalt and Kerith expected to see sparks, or smoke, or something fly out from the point of contact. Mrs. Terry shrugged, and smiled at them.

“Well, thank goodness they did, yes? Create things, I mean. Great buildings, music, art. They’re so inspiring, don’t you think? I always want to create something great and beautiful to make other people feel the same way.” She shrugged. “Unfortunately, my creative talents are limited to mediocre knitting and decent cooking.”

But Kerith wanted to shout, “Yes, I know exactly what you mean!” The exquisite evening light made her want to capture something of its beauty. She wanted to run home, pull out a canvas, a sketchpad, paints, pencil–anything–and create.

As usual, though, round-eyed, freckle-faced Zelda was the first to speak. “I have no idea what you’re talking about.”

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A Children’s Story (Excerpt)

I’m currently writing a children’s story. It’s a great deal of fun, primarily because I’m writing with my children in mind, thinking about what will interest and entertain them.  They really are the perfect audience:  endlessly forgiving and easily amused.

In this story, I’m just getting to know a particular character.   I know she walks every morning and evening with two small, ugly dogs, carrying a walking stick hand-carved from the trunk of a redwood tree cut on her own property.  I  have no inkling as to her name.   I know that when she’s walking, she often speaks out loud, and with great passion, as if she’s conversing with nature and they are intimate friends.

Four of the five children with whom the story is chiefly concerned meet this unusual woman–who turns out to be their neighbor–early one evening when they are on an urgent mission. The excerpt that follows finds them fidgety and awkward, having just encountered her for the first time.


Behind them, birds fluttered in and out of the tall dried grasses, filling the evening air with their calls and cries. Mice, rats, and gophers scampered and rustled home through the underbrush. Tiny finches darted, keeping away from the larger birds, and overall, the three red-tail hawks circled, climbing, then gliding and banking. The tiny old woman leaned heavily on her stick and pivoted to face the raucous field. She kept her left hand on the stick, raising her face and her right palm to the skies. In a voice that seemed far too loud and strong for her frail body, she cried out,

“Draw a peace over this teeming field–

wildlife calling, crawling, rising, taking flight.

Blanket this space in quiet, still life

waiting on breathless wing for summoning.”

Later they would all say that they had probably imagined it, but it seemed at that moment as if the noisy field before them did calm as if soothed by the funny words of this strange new neighbor.

Kerith felt her face heat as she tried to think of what to say. She felt the weighty expectation of good manners, certain that she was required to say something polite in response to what this odd little woman had just done. At the very least,  she must take charge before one of the younger children broke free of their bewilderment and said what they were thinking. Fortunately for her,  she was rescued by the little woman, who seemed to see no need for anyone else to speak.

“Well,” she said, with such force that all five of them fixed their eyes on her wrinkled face. She was not looking at them. She had turned around to face the low mountains that rimmed the far side of their property.  There the sun seemed to rest on the mountain tops, a hesitation that bathed the valley below them in soft, golden light. “The whole world is a great cathedral, far more magnificent than anything man has ever created, don’t you think? It’s a wonder anyone bothers.” She tapped her stick against the asphalt and Joshua expected to see sparks, or smoke, or something fly out from the point of contact. She shrugged and smiled at them. “Well, thank goodness they did, yes? Create things, I mean. The cathedrals, sculptures, paintings, magnificent compositions. They’re so inspiring, don’t you think?  When I see them or hear them, or when I’m outside on an exquisite evening like this, I always want to create something great and beautiful to make other people feel the same way.”  She smiled at them again, her large eyes glinting in the fading light.

Kerith wanted to shout, “Yes! Yes, I know exactly what you mean! She wanted to run home, pull out a canvas, a sketchpad, oils, acrylics, a pencil–anything–and create.  Heck, she was tempted to drop to one knee in the dirt and start tracing her finger in the dry brown earth.

As usual, though, round-eyed, freckle-faced Zelda was the first to speak, “I have no idea what you’re talking about.”


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